Essay romantic love

Hatfield, E., & Walster, G. W. (1978). A new look at love . Addison-Wesley.
Johnson, Robert A. We: Understanding the Psychology of Romantic Love . Harper San Francisco. 1983.
Lieberman, Marcia K. "'Some Day My Prince Will Come': Female Acculturation through the Fairy Tale." In Don't Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. Ed. Jack Zipes. New York: Methuen, 1986, pp. 185-200.
Tennov, Dorothy . Love and Limerence . Scarborough House. 1979.
Thornhill, Randy, Gangestad, Steven W . The scent of symmetry: A human sex pheromone that signals fitness? Evolution & Human Behavior Vol 20(3) (May 1999): 175-201

Such pure and heavenly love was depicted by William Shakespeare in the play "Romeo and Juliet". This literary creation became the classics of love stories. It became the ABC of love, which is quoted by sweethearts all over the world. It is a moving and pathetic story of the tragic love, which doesn't leave anyone indifferent. It is a play filled with inimitable soliloquies in which lovers' vows sound like music, where romantic, and passionate love seems to break down all the barriers, and lovers seem to be happy together in spite of all hindrances.

Love is something that brings us on these type of questions....bcoz most of us are in confusion...but according to me--love is about caring anyone we want..if anything happens to those we love seems that happend to us...it may be happiness,joy,sad....etc...connection of feelings iz not only love..as an example -if a man may be a leader does something good for his peoples or country then it's not his feelings connected with people's but that's also love..love for humanity.....samething is with others...someone loves his/her family;frnds;lifepartner;sometime it starts with attraction(boyfriend,girlfriend),nation, thing .........so we should love everything that's good for good people Love iz great....it is that thing that always spread happiness...it's a passion to keep and be happy and satisfied with life......so as someone blessed by god for a good life... .....Love is great.....and people who follow love are more great..so try loving......start loving..and get love get life..bcoz love iz life

Seeing the Gottmans' marital interaction up close is almost alarming at first. Most couples tone down the perpetual spats, adjustments, sideways glances and hopeful asides that constitute one-on-one intimacy when they're in public. The Gottmans don't. Sitting across from them at a conference table, you feel as though you’ve come upon them tucked into bed, working it out with each other. They exchange constant meaningful looks. They interrupt each other, or Julie mostly interrupts John, correcting his behavior and memory. John accepts it. They use couples-therapy language. ("Boundaries!" Julie reminds John, when he starts speaking about his ex-wife.) They openly refer to deep wounds in their relationship. They also snuggle. John puts his arm around Julie, she arches into him and they wrinkle their noses at each other. In my presence, Julie wept twice, once recounting a time John had made her feel like a bad mother and once when John said she had been “the answer to my prayers.”

In each case, Hyperion attempts to fully adopt the corresponding way of being only to find its limitations and be confronted with the need to move on. Thus, with Adamas, Hyperion feels compelled to leave his master and seek another way of life because of man’s lack of contentment and constant desire to go beyond his current condition: “We delight in flinging ourselves into the night of the unknown, into the cold strangeness of any other world, and, if we could, we would leave the realm of the sun and rush headlong beyond the comet’s track” (Hölderlin, 1990, p. 10) [“Wir haben unsre Lust daran, uns in die Nacht des Unbekannten, in die kalte Fremde irgend einer andern Welt zu stürzen, und wär’ es möglich, wir verlieβen der Sonne Gebiet und stürmten über des Irrsterns Grenzen hinaus” (Hölderlin, 1999, )]. After leaving home and learning about the world, his encounter with Alabanda is that of a soul-mate who has fought his way to freedom. Together, they plan noble and heroic deeds, but Hyperion’s world crumbles when he realizes the dark side of such purported moral ambition. Alabanda’s friends are ruthless revolutionaries who seek to overthrow the present powers by violent means: “The cold sword is forged from hot metal” (ibid., ) [“Aus heiβem Metalle wird das kalte Schwert geschmieden” (ibid., p. 510)]. Through this experience, Hyperion grasps something of the conflictual nature of human life: “If the life of the world consists in an alteration between opening and closing, between going forth and returning, why is it not even so with the heart of man” (ibid., ) [“Bestehet ja das Leben der Welt im Wechsel des Entfaltens und Vershlieβens, in Ausflug und in Rückkehr zu sich selbst, warum nicht auch das Herz des Menschen” (ibid., )]? However, it is by encountering beauty in the person and life of Diotima (Book II of Volume I) that Hyperion believes he has found what he is looking for, . the Unity he is after: “I have seen it once , the one thing that my soul sought, and the perfection that we put somewhere far away above the stars, that we put off until the end of time – I have felt it in its living presence” (ibid., ) [“Ich habe es Einmal gesehen, das Einzige, das meine Seele suchte, und die Vollendung die wir über die Sterne hinauf entfernen, die wir hinausscheben bis ans Ende der Zeit, die hab’ ich gegenwärtig gefühlt” (ibid., )]. A period of bliss ensues, but Diotima understands that Hyperion is “born for higher things” (ibid., ) [“zu höhern Dingen geboren” (ibid., )], that the simple harmony of her life is not for him. He must go out and bring beauty to those places where it is lacking. Having grasped this (Book I of Volume II), Hyperion answers Alabanda’s call to join him in battle to free Greece.

Essay romantic love

essay romantic love

Seeing the Gottmans' marital interaction up close is almost alarming at first. Most couples tone down the perpetual spats, adjustments, sideways glances and hopeful asides that constitute one-on-one intimacy when they're in public. The Gottmans don't. Sitting across from them at a conference table, you feel as though you’ve come upon them tucked into bed, working it out with each other. They exchange constant meaningful looks. They interrupt each other, or Julie mostly interrupts John, correcting his behavior and memory. John accepts it. They use couples-therapy language. ("Boundaries!" Julie reminds John, when he starts speaking about his ex-wife.) They openly refer to deep wounds in their relationship. They also snuggle. John puts his arm around Julie, she arches into him and they wrinkle their noses at each other. In my presence, Julie wept twice, once recounting a time John had made her feel like a bad mother and once when John said she had been “the answer to my prayers.”

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