Medieval music essay

Abby Peterson’s studies of the ethnography of militant social movements emphasise an affective structure similar to Bakhtin’s carnival. The experience of lived immediacy and joy is constructed through a movement orientation to the enacted event with no separation between actor and audience. This serves as a means to integrate movements without reference to standard techniques of master-signification, though it does require ‘action spaces’ and in many cases adversaries. Peterson echoes Bakhtin’s idea of the immediacy of activist ‘rituals’ as something distinct from theatre or spectacle. David Graeber makes similar reference to puppetry and creativity in protets movements.

Zeno negotiated with the invading Ostrogoths , who had settled in Moesia , convincing the Gothic king Theodoric to depart for Italy as magister militum per Italiam ("commander in chief for Italy") with the aim of deposing Odoacer. By urging Theodoric to conquer Italy, Zeno rid the Eastern Empire of an unruly subordinate (Odoacer) and moved another (Theodoric) further from the heart of the Empire. After Odoacer's defeat in 493, Theodoric ruled Italy de facto, although he was never recognised by the eastern emperors as "king" ( rex ). [32]

Medieval music essay

medieval music essay

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