Such pure and heavenly love was depicted by William Shakespeare in the play "Romeo and Juliet". This literary creation became the classics of love stories. It became the ABC of love, which is quoted by sweethearts all over the world. It is a moving and pathetic story of the tragic love, which doesn't leave anyone indifferent. It is a play filled with inimitable soliloquies in which lovers' vows sound like music, where romantic, and passionate love seems to break down all the barriers, and lovers seem to be happy together in spite of all hindrances.
In his 1562 narrative poem The Tragical History of Romeus and Juliet , Arthur Brooke translated Boaistuau faithfully but adjusted it to reflect parts of Chaucer's Troilus and Criseyde .  There was a trend among writers and playwrights to publish works based on Italian novelles —Italian tales were very popular among theatre-goers—and Shakespeare may well have been familiar with William Painter 's 1567 collection of Italian tales titled Palace of Pleasure .  This collection included a version in prose of the Romeo and Juliet story named "The goodly History of the true and constant love of Romeo and Juliett" . Shakespeare took advantage of this popularity: The Merchant of Venice , Much Ado About Nothing , All's Well That Ends Well , Measure for Measure , and Romeo and Juliet are all from Italian novelle . Romeo and Juliet is a dramatisation of Brooke's translation, and Shakespeare follows the poem closely but adds extra detail to both major and minor characters (in particular the Nurse and Mercutio).   
Contrastingly, Rosaline and Romeo have a tendency to be pretentious and affected. As Kiernan Ryan notes, Romeo is “trapped inside the hackneyed role and ossified verse of the Petrarchan lover. His rhyming speech is paralysed by the dead weight of clichéd paradoxes and inert metaphors, exiled from actual experience and emotions” (Ryan, Shakespeare, 2nd ed: Prentice Hall, 1995). “She is too fair, too wise, wisely too fair, To merit bliss by making me despair. She hath forsworn to love, and in that vow Do I live dead that live to tell it now”). Such language traps both lover and loved in a “degrading charade of domination and subjection”. Romeo seems to search for a self elsewhere, “I have lost myself, I am not here.”